Last month, I met mystery/crime fiction author Henry Chang at a book party for Rick Shiomi, playwright, Artistic Director of Mu Performing Arts and co-editor of the “Asian American Plays for A New Generation.”
After reading Chang’s CHINATOWN TRILOGY series which chronicles the beat of NYPD Detective Jack Yu, and includes Chinatown Beat, Year of the Dog and the recently released Red Jade, I am looking forward to hearing what he has to say when he appears on a panel at the Mid-Manhattan Library called THE EVIL MEN DO: Inside The Mind Of The Sexual Predator, on Wednesday, August 17, 2011 at 6:30pm. Co-sponsored by the New York Chapter of the Mystery Writers of America, the panel will also feature authors Lyndsay Faye, David Levien, Dr. Julie Salzano, and be moderated by Meredith Anthony.
Evil Raises the stakes. We’re horrified, frightened, fascinated. Why do we stare at the scene of an accident? Why do we read the news when a girl is found dismembered in a trunk? Why do we read violent fiction? What evil are criminals capable of? What evil are writers capable of imagining?
These panelists get up in the morning, go to work at a...
Dan Kuramoto, co-founder of the two-time Grammy nominated jazz fusion band HIROSHIMA, was in the middle of laying down tracks for their next CD, when I chatted on the phone with him recently. He asked me to hold a moment while he put down his saxophone, then shared that HIROSHIMA is performing a Benefit Concert for Japan at B.B. King Blues Club & Grill in New York on September 21, 2011.
I am psyched as the unique concert will feature songs that have been the hallmark of HIROSHIMA’s 30 year career. Special guest stars on the bill include Machan on vocals, Kaoru Watanabe on Fue/percussion, Jazz Pianist Helen Sung, David Henry Hwang on Electric violin and a surprise guest artist.
Nominated for a 2010 Grammy for Best Pop Instrumental Album, HIROSHIMA are the only Asian American Band to receive a coveted Grammy nomination and LEGACY marks their second.
Hiroshima embraces cultural diversity with innovative music that blends Jazz, Pop, R&B, and World music with Eastern and Western instruments. The group crossed over into Smooth Jazz stardom with the smash hit “One Wish” from the best-seller Gold album “Another Place.” Hiroshima’s “Go” topped Billboard’s Contemporary Jazz chart and won a Soul Train Award for “Best Jazz Album.”
Profits from this concert will go to the Japan Relief...
After a well received run at the Calgary Fringe Festival, New York based actor, playwright, and snowboarder Suzen Murakoshi continues to take Canada by storm with her solo show Breathe Love Repeat: a Near Life Experience, a true story written and performed by Ms. Murakoshi, and directed by Obie (Off-Broadway) award winner Ching Valdes-Aran, at the 30th Edmonton International Fringe Theatre Festival.
Performances for Breathe Love Repeat: a Near Life Experience, are from Thursday, August 11 – Saturday, August 20, 2011. Tickets are available at the Central Fringe Theatre Box Office in the TransAlta Arts Barns (10330 84 Avenue), online at https://tickets.fringetheatre.ca/DateSelection.aspx?item=1044 or (780) 409-1910. Tickets purchased by phone or online can be picked up at the Central Fringe Box Office Pick-Up Window (TransAlta Arts Barns).
A “Samurai Super Daughter” struggles with her mother at the crossroads between East and West to affirm life between this world and the next. With warmth and humour, Breathe Love Repeat: a Near Life Experience tells the story of the last days in the life of a mother and daughter. This uplifting and life affirming show travels from the mountains of Japan to the islands of Hawaii. Delightful in its simplicity, and memorable in its expression, Ms. Murakoshi brings the clarity of life...
The 2011 – 2012 Mu Performing Arts 20th Anniversary mainstage season lineup includes two premiere works by Asian American playwrights: Four Destinies by Katie Hae Leo and A. Rey Pamatmat’s Edith Can Shoot Things and Hit Them. Mu Daiko celebrates 15 years of taiko drumming in the Twin Cities with a special anniversary concert, to kick off the group’s Minnesota tour. To close out the mainstage season, Mu will present the Tony Award-winning Stephen Sondheim musical Into the Woods, re-imagined from an Asian American perspective.
The season kicks off on October 15 at Mixed Blood Theatre with the world premiere of Four Destinies, directed by Suzie Messerole. The play by local playwright Katie Hae Leo is a satirical exploration of adoption through the eyes of Destiny Jones, a single character represented from four different ethnic backgrounds, as she/he grows up in a Minnesota family. Leo, herself a Korean adoptee, presents herself as a character determined to embody the overarching adoptee experience, both in youth and adulthood. Four Destinies has been in development for the past two years through Mu’s Jerome New Performance Program, a platform for emerging Asian American theater voices to create and present edgy new work.
In February, Mu Daiko, under the musical direction of Iris Shiraishi, returns to the Ordway’s McKnight Theatre for a special performance celebrating both...
Version 3.0, a major new collection of contemporary Asian American plays edited by Chay Yew, is hot off the presses courtesy of Theatre Communications Group (TCG). This vital anthology includes a foreword by David Henry Hwang, introduction by Chay Yew and eight full-length plays, each paired with a statement by the author.
Version 3.0, the first major anthology of contemporary Asian American drama in almost two decades, includes Julia Cho’s Durango, Sunil Kuruvilla’s Rice Boy, Han Ong’s Swoony Planet, Sung Rno’s wAve, Diana Son’s Satellites, Alice Tuan’s Last of the Suns and Chay Yew’s Question 27, Question 28. Also included is The Square, a choral piece meditating on 120 years of relationships between non-Asian Americans and the Asian American community, written by sixteen of today’s leading playwrights: Bridget Carpenter, Ping Chong, Constance Congdon, Kia Corthron, Maria Irene Fornes, Philip Kan Gotanda, Jessica Hagedorn, David Henry Hwang, Robert O’Hara, Craig Lucas, Han Ong, José Rivera, Diana Son, Alice Tuan, Mac Wellman and Chay Yew.
“I am inspired by the writers in this volume, who have questioned assumptions and expanded the palate of our nation’s dramatic literature… “Version 3.0″ playwrights have kept Asian American theatre vital. On a personal level, seeing and reading their plays has kept me young,” writes David Henry Hwang.
Editor Chay Yew points out that...