As violence is escalating against journalists working in war-torn countries, low profile or nearly invisible still and video cameras, and content capture and distribution technologies are becoming necessary survival gear.
The Committee to Protect Journalists has reported an unprecedented number of casualties: eleven journalists have been killed this year worldwide, eight of the eleven in the Middle East, one in Vietnam, one in the Philippines, and one in Mexico. CPF reports that there have been more than 300 attacks on journalists covering the recent political unrest in the Middle East.
CNN's Anderson Cooper and his camera crew were attacked by pro-government supporters on February 2, 2011 in Cairo while covering the Egyptian conflict. A video shot by Cooper for CNN's AC360 can be seen on this link. Cooper was able to keep his small Flip video camera recording, as he was escaping from his attackers. While Cooper was able to broadcast his reports and fly back to New York, many other journalists have not been as lucky. Some have been jailed, brutally beaten, stabbed or shot, their equipment destroyed, or worse - killed.
The large, conspicuous shoulder mounted video cameras have quickly been replaced by low profile gear such as the miniature Flip video cameras. Laptops are being replaced in the field by iPhones and other cell phones which can transmit still images, audio and video, and update blogs, Twitter and Facebook accounts.
Delighted to be working with director Michael Wilson again, who directed her as Lady Torrance in Orpheus Descending at the Alley Theatre in Houston, Ms. Rashovich can be seen as Flora on Wednesday, March 30th at 7:30pm.
Williams’ haunting drama takes place in Flora’s picturesque Italian mountaintop home, where the wealthy American widow, in denial over her impending demise, has sequestered herself from the world in order to write her memoirs. When Christopher Flanders (Darren Pettie), a handsome and mysterious young poet arrives without warning to keep Flora company in her final hours, this dreamlike play blossoms into a fascinating meditation on life and death.
“The early Sixties have been good to me lately,” said Darren Pettie, whose diverse roles circa 1960′s include his turn as Lucky Strike scion Lee Garner, Jr. in several episodes of the critically acclaimed and award winning AMC TV series “Mad Men”; as James in Atlantic’s Off-Broadway production of Harold Pinter’s The Collection penned in 1961; and as Christopher Flanders in the Roundabout Theatre Company’s current production of Tennessee Williams’ The Milk Train Doesn’t Stop Here Anymore, with Olympia Dukakis, set in 1962.
Erik Haagensen of Backstage.com describes Christopher Flanders as a “former poet, aging pretty boy, and professional houseguest,” and notes, “as Chris, Darren Pettie is properly fraying at the edges, an intriguing mix of calculation, sympathy, arrogance, and sexual magnetism.”
Williams’ haunting drama takes place in Flora Goforth’s picturesque Italian mountaintop home, where the wealthy American widow, in denial over her impending demise, has sequestered herself from the world in order to write her memoirs. Pettie’s character is a handsome and mysterious young poet who arrives without warning to keep Flora company in her final hours. It is a dreamlike play that blossoms into a fascinating meditation on life and death.
This production of Williams’The Milk Train Doesn’t Stop Here Anymore is actually a compilation of different drafts woven together by director Michael Wilson.
“That’s been thrilling because it’s been...
On Monday, March 21, 2011, Working Theater presents a staged reading of Visible Cities by Chay Yew, directed by Mike Donahue, at The Studio Theatre on Theatre Row, 410 W 42nd St. (between 9th & 10th Aves in New York. The cast features Joanna Adler, Josh Barrett, Jackie Chung, Jennifer Ikeda, Natalie Martin, Quentin Maré, Orville Mendoza, Steve Park and Gordana Rashovich.
Chay Yew’s plays include Porcelain, A Language of Their Own, RED, Wonderland, Question 27 Question 28, A Distant Shore, 17, America and A Beautiful Country. His other work includes adaptations, A Winter People (based on Chekhov’s The Cherry Orchard) and Lorca’s The House of Bernarda Alba, and a musical Long Season. His plays have been produced at the Public Theatre, Royal Court Theatre (London), Mark Taper Forum, Manhattan Theatre Club, Long Wharf Theatre, La Jolla Playhouse, Actors Theatre of Louisville, Intiman Theatre, Wilma Theatre, Studio Theatre, Portland Center Stage, East West Players, Cornerstone Theatre Company, Perseverance Theatre, Dad’s Garage, La Mama (Melbourne, Australia), Singapore Repertory Theatre and TheatreWorks Singapore, amongst others.
He is also the recipient of the London Fringe Award for Best Playwright and Best Play, George and Elisabeth Marton Playwriting Award, GLAAD Media Award, Asian Pacific Gays and Friends’ Community Visibility Award, Made in America Award, AEA/SAG/AFTRA 2004 Diversity Honor, Robert Chesley Award and an OBIE Award for Direction; he has also...
The National Cherry Blossom Festival is sponsoring a fundraising event called Stand with Japan at the Washington Monument on March 24, 2011. Meet at the Sylvan Theater, 15th Street & Independence Avenue, SW at 6:30pm and join others who are gathering to reflect and participate in the walk around the Tidal Basin, where the cherry blossom trees, gifted to Washington, DC from Tokyo in 1912, have stood the test of time for 99 years. The relationship with Japan is at the heart of the Festival, and the evening of hope and perseverance occurs before the 16-day celebration begins on Saturday, March 26. All donations will go directly to the American Red Cross and their Japan Earthquake and Pacific Tsunami fund.
A ful list of Festival participants and partners holding events to benefit the fund can be found at www.nationalcherryblossomfestival.org
Hotline: (877) 44-BLOOM