Entertainment Spotlight

  • Catching Up: Santana, Taj Mahal and a déjà vu ‘Blue Christmas’

    Posted by Ben Fong-Torres

    Catching Up: Santana, Taj Mahal and a déjà vu ‘Blue Christmas’
    By Ben Fong-Torres It’s short shrift time. I have a life that’s ripe (and slightly wrinkled) for blogs and tweeting; for facebooking and updating. I’m just no good at it. My last column here on AsianConnections was about the memorial in late July for my sister Shirley. My last posting on the authors’ site, Redroom, was about a radio promo tour I did (20 stops, all on the phone...

Arts & Entertainment Articles

  • Derek Ting's movie $upercapitalist directed by Simon Yin debuts in Theaters, Online and Video on Demand

    Posted by Lia Chang

    L ro R: Lia Chang, Derek TIng, Joyce Yung Photo by Francois Bonneau

     August 19, 2012 (Updated August 29, 2012 with screening dates and video of SAG Foundation's conversation with cast members Linus Roache and Michael Park, and producer/writer/actor Derek Ting.)

    by Lia ChangDon't miss these screenings!: (more listings below)SAN FRANCISCO - August 24 - 30 at the Landmark Opera Plaza Cinema, 601 Van Ness Ave, San Francisco, CA 94102LOS ANGELES - August 31 - September 6 at the Laemmle's Noho 7, 5240 Lankershim Blvd., Los Angeles, CA (North Hollywood, CA 91601)

    Kudos to Derek Ting, for taking control of his destiny, pursuing his dream and realizing his vision with his eleven year journey from inception to the big screen. Derek is the writer, producer and star of $upercapitalist, a financial thriller set in Hong Kong directed by award-winning filmmaker Simon Yin. Ting's film debuts in theaters this month, and is available now through your local cable TV station's video-on-demand, and online at many outlets including iTunes and Amazon Video. (Top image L to R: Lia Chang, $upercapitalist writer, producer and lead actor Derek Ting, producer and Derek's wife Joyce Yung Photo by Francois Bonneau). 

    I met Derek and his wife, Joyce Yung, a producer on the film, when the Screen Actors Guild Foundation hosted a special 'Conversations' advance screening of $upercapitalist, at the NYIT Auditorium on Broadway in New York. 

    $upercapitalist is screening now in Los Angeles (August 24-30) and San Francisco (August 31 - September 6). (see listings for more updates)

    Derek, and fellow actors Linus Roache and Michael Park were in the house for a Q & A, moderated by actor Nick Sakai, SAG-AFTRA National Ethnic Employment Opportunities Committee Member.

     

    Click on the link below to see excerpts of the Screen Actors Guild Foundation’s Conversations with $upercapitalist's Derek Ting, Linus Roache and Michael Park.Screen Actors Guild Foundation In Conversation with Supercapitalist's Derek Ting, Linus Roache and Michael Park

    $upercapitalist is now...

  • The Olympics, Ryan Seacrest and Me by Ben Fong-Torres

    Posted by Admin

    The Olympics, Ryan Seacrest and Me

    As the old song goes, “it’s been a long, long time.”

    I apologize for not writing sooner. It’s not that I haven’t been writing. Just not for this space. For example, I just had a short piece published in The Hollywood Reporter, about the Olympics’ opening ceremonies, with a focus on music. It’s in the August 10 edition of “THR,” which is an interesting blend of trade magazine (for showbiz industry folks) and consumer mag (for people who like backstage peeps at the business known as show).

    My piece—about the 60’s music that producer Danny Boyle featured during that wild, wacky event—was nothing special. But one thing about it really amused me. Just below my story was a Q&A with Ryan Seacrest, who was among the talent NBC shipped to London to work the Olympics.

    A few months ago, when Dick Clark died, I wrote my first article for The Hollywood Reporter, recalling a sometimes contentious interview with him from ‘way back, for Rolling Stone. The editors chose a quote of Clark, something he said to me, for the headline: “YOU’RE A LIBERAL, AND I’M A F---ING WHORE’. This, right after a glowing tribute, “What I Learned from the Master,” by…Ryan Seacrest.

    We are fated to be together!

    This is to say that stuff happens.

    Just the other day, I was on Castro Street here in San Francisco, and a guy asks, “Aren’t you Ben Fong-Torres?” I admit that I am.

    “Well, that’s reassuring,” he says.

    I didn’t know what to make of that—although I think I knew what he meant, about old-timers still being around—so I just asked for his name and shook his hand. I hope he found my gesture…reassuring.

    A few weeks before, at a wine tasting party, a friend asked if I’d seen the banners around town carrying my name and a quote. I had not, but went out in search of one of the signs a few days later. Sure enough, there they were, put up by San Francisco State University, my alma mater. Mine was one...

  • Congratulations to Asian American International Film Festival '12 Award Winners

    Posted by Lia Chang

    The Asian American International Film Festival handed out the 2012 Awards for feature and short films before the closing night screening of Michael Kang’s Knots, at the Clearview Chelsea Cinemas in New York on August 5, 2012. The awards ceremony was emceed by spoken word artist Kelly Zen-Yie Tsai.

    Knots director Michael Kang and writer and star Kimberly-Rose Wolter at the 35th Asian American International Film Festival Closing night screening of Knots, at the Clearview Chelsea Cinema in New York on August 5, 2012. Photo by Lia Chang

    This year, the Asian American International Film Festival, presented by Asian Cinevision (ACV), featured 50 New York premieres-narrative and documentary features, and shorts-of all genres from The Philippines, Taiwan, China, Japan, Korea, UK, Canada and across the Asian Diaspora.

    Presenter Kelly Zen-Yie Tsai, a spoken word artist, presents the AAIFF Audience Choice Award for Narrative Feature to Lily Mariye for Model Minority at the Clearview Chelsea Cinemas in New York on August 5, 2012. Photo by Lia Chang

    Audience Choice Awards:

    Lily Mariye’s Model Minority (photo courtesy of Nice Girl Films)

    The Audience Choice Award for Narrative Feature was presented to Lily Mariye, an actor, screenwriter and director, whose impressive debut feature MODEL MINORITY, follows the story of L.A. teenagers trying to navigate the treacherous world of peer pressure, drug dealers, juvenile hall and dysfunctional families.

    Delon De Metz, Nichole Bloom, Lily Mariye and Chris Tashima at the 35th Asian American International Film Festival screening of Model Minority, at the Clearview Chelsea Cinemas in New York on August 4, 2012. Photo by Lia Chang

    The film stars Nichole Bloom as Kayla, an underprivileged Japanese American girl with a drug addict mom (Jessica Tuck) and an alcoholic dad (Chris Tashima), who endangers her promising future as an artist when she becomes involved with a drug dealer (Delon De Metz). Laura Innes, Helen...

  • Are You Truly Free? by Marilyn Tam

    Posted by Marilyn Tam

    Are You Truly Free?

    By Marilyn Tam 

    
“In the truest sense, freedom cannot be bestowed; it must be achieved.” ~Franklin D. Roosevelt

          

          We are fortunate that we in the USA can enjoy basic freedom as a given. The things that bind us are more internal – the mental restrictions and “shoulds” that shape our thinking and our decisions subconsciously.

          These subconscious constraints confine us to a fixed set of expectations and view of the world.

           It locks us from truly being able to soar to our highest potential, inner peace and happiness. How can we break free? This is a three-step process. First by recognizing that we are prisoners of our beliefs.

    Whatever we believe about ourselves and the world is what we are going to experience. If you are holding negative thoughts like, “I’m not good enough” or “Bad things happen to me”, then that is what you are going to create in at least some aspects of your life.

           No one consciously choose to hold limiting beliefs, and yet we all do to some extent. Our childhood conditioning, whether from family, school, other influential figures in our lives, or the mass media, often contain some negative programming. People’s intentions may have been good, but fear and limitation are commonly used to keep young, rambunctious and questioning children, and indeed all people, in line. We often take on the constraints set for us as a children, to keep us from achieving our full potential later on in our lives.

           The second step is to examine your beliefs. Is it really true that you are only good at math, and/or that you can’t sing? Oftentimes we gather evidence to support these old convictions. You may say to yourself, I truly am only good at this one thing; I can’t carry a tune, or whatever. You have adopted these negative thought patterns and hang on to the indications that “prove” them. Yet we all have the potential to develop the skills or talents in areas that we are...

  • Composer/Lyricist Timothy Huang Launches Rockethub.com Crowd Funding Project for New Musical ‘Costs of Living’

    Posted by Lia Chang

    Award-winning composer/lyricist Timothy Huang (The View from Here, And the Earth Moved) has launched a Rockethub.com crowd funding campaign for a workshop of his latest passion project, a new musical called Costs of Living.Huang was inspired to create Costs of Living after reading Night and Day, an article which appeared in the New York Times in 2009, that tells the story of two immigrant cab drivers who take opposite shifts off the same medallion.

    While the day shift driver (Eng) encounters successes, his night shift partner (Chin) continues to encounter obstacles until the two find themselves on opposite sides of an ever widening gap and in a dangerous escalation that leaves one dead and the other brutalized.

    It is, at its heart, a human story, an American story and a cautionary tale lending voice to the unspoken dangers of freedom without social consciousness or oversight. It is a story of love and country, resilience and responsibility, the price of freedom and the costs of living.

     

    “The last ten years of my career have been about finding ways to make the things that move me move other people,” said Huang. “And with tremendous support and feedback from the Asian American community and the BMI Musical Theatre Workshop (where this project originated) I feel like Costs of Living has found a unique balance.

    It is a musical that isn’t afraid to tell a story of social significance, or allow music to transcend language, but most of all it is unafraid to tell an American story employing people who look like me that isn’t necessarily about people who look like me.”

    A finalist for the 2012 American Harmony Prize, Huang’s Costs of Livingwas invited to participate in the 2012 ASCAP Musical Theatre Workshop, hosted and juried by Stephen Schwartz (Wicked, Godspell), Lynn Ahrens (Ragtime, Seussical, Once on This Island) and Andrew Lippa (Wild Party,Charlie Brown, John & Jen), and was featured in the New York Times Cityroom Blog in March.

    Huang...