Congratulations to playwright David Henry Hwang, who has been named the Honoree of the 31st Annual William Inge Theatre Festival, in Independence, Kansas, on the campus of Independence Community College.
Hwang will be at the Inge Festival from April 18-21, 2012. He joins the roster of internationally renowned playwrights who have traveled to the Inge Festival to receive the William Inge Distinguished Achievement in the American Theatre Award. This select list includes Arthur Miller, Stephen Sondheim, Arthur Laurents, Edward Albee, Wendy Wasserstein, and the most recent Honoree, Marsha Norman, to name just a few.
“David Henry Hwang brings a unique voice to the fabric of the American theatre,” said Peter Ellenstein, Inge Center Artistic Director. “Besides being a great dramatist, his work often gives voice to an Asian-American perspective that has been long left out of American culture.”
Hwang is also a librettist for musicals and operas, as well as a screenwriter. At the multi-media Tribute ceremony that concludes the Inge Festival, Hwang will accept the annual Inge Festival Distinguished Achievement in the American Theatre Award.
Since its founding in 1981, the William Inge Theatre Festival has celebrated the accomplishments of nationally renowned playwrights. It is the Official Theatre Festival of the State of Kansas, located in the picturesque southeastern Kansas town of Independence (pop. 10,000), William Inge’s hometown. Inge...
On Wednesday, July 27, I reconnected with Rick Shiomi, the author of one of my favorite plays, “Yellow Fever,” when we were both in Washington D.C. at the Asian Reading Room of the Library of Congress in the Thomas Jefferson Building. The groundbreaking Asian-North American playwright, taiko troupe leader, and artistic director of Mu Performing Arts, was on a week long book tour to promote “Asian American Plays for a New Generation” (Temple University Press, June 2011), which he co-edited with Josephine Lee and Don Eitel.
Reme Grefalda, the curator of the Asian Pacific Islander Collection, had put together a marvelous program which included his talk about the Anthology, and a week-long display in the Asian Reading Room of the Library of Congress.
The display featured 37 photographs drawn from the Lia Chang Theater Portfolio including Thom Sesma’s Makeup Transformation as Scar in Disney’s “The Lion King Las Vegas”; rehearsals of a staged concert of Robert Lee and Leon Ko’s musical “Heading East” starring BD Wong at the Asia Society in New...
Tonight, I am meeting up with groundbreaking Asian-North American playwright, teacher, and taiko troupe leader, Rick Shiomi, who is making a rare NYC appearance to discuss and present readings from the new anthology “Asian American Plays for a New Generation” (Temple University Press, June 2011), which he co-edited with Josephine Lee and Don Eitel. Hosted by Julie Azuma and Tamio Spiegel, the event begins at 6:30pm at 12 West 18th Street, #3E in New York.
“Asian American Plays for a New Generation” features seven plays. Six of those were developed and produced by Mu Performing Arts, the Midwest’s foremost pan-Asian performing arts organization, founded in Minneapolis in 1992.
“Bahala Na” by Clarence Coo is about the relationship between a grandmother and her grandson who is gay. “Happy Valley,” by Aurorae Khoo, focuses on the plight of the Chinese in Hong Kong when the former British colony comes under Communist Chinese rule. “Asiamnesia,” by Sun Mee Chomet examines the issues facing Asian American women in theater and society. “Sia(b),” by May Lee Yang, is about a young Hmong woman understanding her own identity. “Walleye Kid, The Musical,” by Sundraya Kase, R.A. Shiomi and Kurt Miyashiro is based on the Japanese folktale, “The Peach Boy.” “Ching Chong Chinaman,” by Lauren Yee, is a comedy that explores the stereotype of Asians as “the model...
The Los Angeles County Coroner's office is investigating the case as a suicide.
AsianConnections' Suzanne Kai spoke with Irabu at a CAPE holiday event in 2009.
From July 20 through August 2, “In Rehearsal”, a display of photographs drawn from the Lia Chang Theater Portfolio in the Library of Congress’ Asian American Pacific Islander Collection, is on view in the Library of Congress’ Asian Division Reading Room, located in Room 150 of the Thomas Jefferson Building, 10 First Street S.E., Washington, D.C. The hours of the Library of Congress’ Asian Division Reading Room are 8:30 a.m. – 4:30 p.m.