December 9, 2019
Nora Lum, known professionally as Awkwafina is nominated for Best Actress for her role in "The Farewell" in the category of Best Performance in a Motion Picture - Musical or Comedy at the 77th Annual Golden Globe Awards. The Golden Globes Awards will be broadcast on January 5, 2020.
(Photo credit: The Farewell / A24)
If Awkwafina wins, she will become the first Asian American to win the Golden Globe award.
Her role in 2019's "The Farewell" follows her breakout role as Peik Lin in 2018's 'Crazy Rich Asians' which made her a globally known actress to watch. 'Crazy, Rich Asians' also catapulted her into another Hollywood movie, "Ocean's Eight' with cast mates Cate Blanchette, Anne Hathaway and Rihanna.
(Photo credit: Sanja Bucko/Warner Bros. Pictures)
After her 2018 breakout role in Warner Bros feature film "Crazy, Rich Asians," the first Hollywood movie with an all Asian cast in 26 years since "Joy Luck Club" Awkwafina played a pick pocket in Ocean's 8 with cast mates
(Photo credit: Warner Bros/Barry Wetcher)
Prior to her breakout role in "Crazy, Rich Asians" she was best known as a popular Youtube star where she posted her rap videos and comedic routines.
October 8, 2019
Actor Tim Lounibos wrote on his Facebook page about the positive changes he is currently experiencing in Hollywood.
We caught up with him to share his thoughts with us.
Asian Americans have historically found limited opportunities as actors in movies and television in Hollywood, but fortunately for Tim he had a great start as a busy actor in the 1990s, but then his career went off a cliff - temporarily.
We thank Tim for sharing his personal thoughts with our readers.
In the 1990's Tim Lounibos was a busy actor in Hollywood with roles in hot shows such as Star Trek: The Next Generation, Suddenly Susan, and The Nanny, and recurring roles in Beverly Hills, 90210, The Practice, JAG and The West Wing, plus starring in one of the first US films shot in Hong Kong, Erotique.
At the local café with tears in my eyes – because of joy not sadness…
I’m an actor.
I left for seven years because of the lack of opportunity for those like me. That was heartbreaking but necessary. Family comes first. Always. On returning, I’ve been very fortunate; because as an actor, I’m relevant again and working consistently, but merely working is not the be all and end all.
Something happened that reminded me of why I act.
I was asked by Jess Ju and Michelle...
July 1, 2019
The Academy of Motion Picture Arts and Sciences, best known as the organization behind the Oscars is continuing its push during the past few years toward a more diverse, inclusive and global membership.
This is a promising trend toward a more inclusive membership, ever since the 2016 Oscars presentation which sparked outrage, when young Asian American children were brought onto the world stage during its awards program to use as part of a stereotypical racial joke.
AMPAS' 2019 invitations are going out to 842 new members from 59 countries, 50% are female, and 20% are people of color.
Here are just a few of the 842 invitees for the AMPAS Class of 2019:
Gemma Chan – Crazy Rich Asians, Mary Queen of Scots
Rosalind Chao – I Am Sam, The Joy Luck Club
Hong Kyung-pyo – Burning, Run Off
Akira Sako – Ajin: Demi-Human, Shippu Rondo
Zero Chou – Ching’s Way Homes, Spider Lilies
Jonathan M. Chu – Crazy Rich Asians, Now You See Me 2
Jimmy Chin – Free Solo, Meru
Hong Hyung-sook – The Border City 2, Reclaiming Our Names
Chiemi Karasawa – Elaine Stritch: Shoot Me, Harry Dean Stanton: Partly Fiction
Su Kim – Midnight Traveler, Hale County This Morning, This Evening
Miao Wang – Maineland, Beijing TaxiHao Wu – People’s Republic of Desire, The Road to Fame
Stephanie Wang-Breal – Blowin’ Up, Tough Love
M. Watanabe Milmore – Metallica: Some Kind of Monster,...
December 5, 2018
The Courage Under Fire Award from the International Documentary Association honors documentary filmmaker Stephen Maing, at the IDA's annual awards, December 8 in Los Angeles.
Maing is honored for his explosive documentary exposing the New York police department's racially discriminatory policing practices.
A class action suit by twelve minority whistleblower officers revealed the NYPD's practice of pressuring minority officers to issue predetermined numbers of arrests and summonses per month, often in communities of color it classified as 'high crime.'
Stephen Maing is an Emmy-nominated, Brooklyn-based filmmaker. His 2012 feature documentary, High Tech, Low Life, chronicled the gripping story of two of China's first dissident citizen-journalists fighting state-monitored censorship, and was broadcast nationally on PBS.
His short film The Surrender, produced with Academy Award winner Laura Poitras, documented State Department intelligence analyst Stephen Kim's harsh prosecution under the Espionage Act, and was nominated for an Emmy Award for Outstanding Short Documentary.
He has directed numerous films for Time Magazine, The Nation, The New York Times, The Intercept, PBS and Field of Vision; his New York Times Op-Docs documentary, Hers to Lose, was awarded a World Press Photo Award for Long Features.
Maing is a Sundance Institute Fellow, a John Jay/Harry Frank Guggenheim Reporting Fellow, and an IDA Enterprise Documentary Fund grantee. His most recent film, Crime + Punishment, was filmed over four years and received a Special Jury Award for Social Impact Filmmaking at the 2018 Sundance Film Festival.
Roger Ebert 1942-2013 Photo: RogerEbert.comRoger Ebert lost his battle with cancer today. He will be greatly missed. Most famous for his film criticism, he was the first movie critic to win a Pulitzer Prize for Criticism.
Since 1967, and up to just two days ago he wrote a column for the Chicago Sun-Times.
He authored twenty books, and co-hosted several long-running syndicated television shows including Siskel and Ebert at the Movies.
I will remember Roger Ebert not only for his reviews and commentary, but also for his advocacy of Asian American cinema.
I thank Roger Ebert for his outspoken support and standing up (literally) for a film called Better Luck Tomorrow.
When Ebert stood on his theater seat and yelled back at an audience member who was chastising the film's director Justin Lin and his cast on stage for making an "empty and amoral" film, it was a watershed moment in Asian American cinema.
Mind you, this was at the third screening of Lin's film Better Luck Tomorrow at the 2002 Sundance Film Festival where alot is at stake. Filmmakers are hoping that distribution deals are made.
A video posted on Youtube captured the moment. (click here for the full story with the Youtube video). The audience member said, "You know how to make a movie. But why with the talent up there and yourself make a film as so empty and amoral for Asian Americans and Americans?"
Then Roger Ebert gets up and says "What I find very condescending and disturbing about your statement is nobody would say to a bunch of white filmmakers, "How could you do this to your people?!" (applause from the crowd) Then Ebert continues, "Yes, film has the right to be about these people and Asian American characters have the right to be whoever the hell they want to be. They do not have to represent their people."
And as America's influential dean of film critics sat back down in his seat, he had just...